Preparation of the TV stories with artistic and expressive means of TV
Kushaliyeva Tamiris, 209 group
Elements of the plot
The video. The video can be shot specially for the plot by a professional operator (most often), and also obtained from the archive or from somewhere outside (amateur, live shooting). Videorjad builds the editor in accordance with the text and plot concept. The majority of TV men of the modern school consider video series as the main visual medium. There is even a slogan: "Television is a picture!" The term "picture" has become so stable that it is usually written without inverted commas.
The video. The video can be shot specially for the plot by a professional operator (most often), and also obtained from the archive or from somewhere outside (amateur, live shooting). Videorjad builds the editor in accordance with the text and plot concept. The majority of TV men of the modern school consider video series as the main visual medium. There is even a slogan: "Television is a picture!" The term "picture" has become so stable that it is usually written without inverted commas.
Graphic arts. Like a video, it's a picture. Schemes, maps, charts, sports standings and other graphics can be produced on a computer. However, you can just draw, and then take a video.
Intershum - the sound recorded with the video. As a rule, he accompanies voice-over text and is a full-fledged visual medium.
Intershum - the sound recorded with the video. As a rule, he accompanies voice-over text and is a full-fledged visual medium.
Life. From English life is life. This is the name of the segment of the video (usually up to 10 seconds) with expressive interference (applause, shouting of fans, noise of the waterfall, etc.), which is not closed by offscreen text. Life allows the viewer to feel at the scene of the event. Very animates the plot.
Synchronous. From the Greek sin - together and chronos - time. This is a direct speech of the hero of the plot in the frame, in other words - a section of the interview (usually up to 20-25 seconds). It is called so because the voice and the image of a person are recorded and displayed simultaneously in contrast to, say, offscreen stuffing.
Stand up. From English stand up - stand. Speech correspondent in the frame. It is usually used to demonstrate presence on the scene and also create an effect of communication with the viewer.
Titles - explanatory inscriptions. This can be titles in sync (name, surname, position of the hero of the plot), geotypes (indicating the place of events), explaining titles (such as "Shooting EMERCOM" or "Archive"), subtitles (for example, translating foreign text at the bottom of the frame) as well as a "running line".
Voice-over text. It is written by the author (correspondent). It is called offscreen, because the viewer does not see the one who speaks. You can read the text both the correspondent and the announcer. By the way, recently a brilliant journalist Kirill Nabutov and his director in the program "One Day" on NTV demonstrated something new (or well forgotten old?): In the frame there was a normal picture, an action developed, and in the corner was a tie-in, where Nabutov in headphones synchronously read the microphone before the text. But I think that even in this case the text should be called offscreen.
Stages of production of the plot
1. Develop an idea or get a job.
2. Information gathering: search the Internet, study press releases, previously filmed on this subject, etc.
3. Development of a general idea (concept) of the plot. It is necessary, first, to understand what the main idea of the plot is, and secondly, whom, what, where and when should be removed in order to illustrate this idea. You need to do this before the filming begins, although in the process the idea can be seriously corrected. However, you should never go to the shooting "with an empty head."
4. Discussion of the plan with the editor. He can prompt additional information, throw an idea, thus the plot will acquire "volume", from particulars it will be possible to make a certain generalization.
5. "Phone stage": call with potential characters of the plot in order to understand the details and agree on filming.
6. Discuss the idea with the operator. He must understand what he has to shoot. The author, remember: television is a picture, and the operator is a companion for creativity!
7. Departure for shooting. A set of videos, recording sync and standup.
8. View the video you shot. In this case it is desirable to mark the time code of the most successful or important personnel, potential lives.
9. Interpretation of synchro and standup. The task is to transfer text literally to paper (or to a computer), and also to record the duration by time-code.
10. Writing the text of the plot.
11. Self-edit: reading text to check the logic of the narrative (not to jump from one to another) and search for language errors.
12. Reading out the text with the editor.
13. Stuffing offscreen text.
14. Installation. This is done by the editor, but the author can be present and suggest ideas.
15. Review of the finished plot. Quality control, in particular, the correctness of all titles.
1. Develop an idea or get a job.
2. Information gathering: search the Internet, study press releases, previously filmed on this subject, etc.
3. Development of a general idea (concept) of the plot. It is necessary, first, to understand what the main idea of the plot is, and secondly, whom, what, where and when should be removed in order to illustrate this idea. You need to do this before the filming begins, although in the process the idea can be seriously corrected. However, you should never go to the shooting "with an empty head."
4. Discussion of the plan with the editor. He can prompt additional information, throw an idea, thus the plot will acquire "volume", from particulars it will be possible to make a certain generalization.
5. "Phone stage": call with potential characters of the plot in order to understand the details and agree on filming.
6. Discuss the idea with the operator. He must understand what he has to shoot. The author, remember: television is a picture, and the operator is a companion for creativity!
7. Departure for shooting. A set of videos, recording sync and standup.
8. View the video you shot. In this case it is desirable to mark the time code of the most successful or important personnel, potential lives.
9. Interpretation of synchro and standup. The task is to transfer text literally to paper (or to a computer), and also to record the duration by time-code.
10. Writing the text of the plot.
11. Self-edit: reading text to check the logic of the narrative (not to jump from one to another) and search for language errors.
12. Reading out the text with the editor.
13. Stuffing offscreen text.
14. Installation. This is done by the editor, but the author can be present and suggest ideas.
15. Review of the finished plot. Quality control, in particular, the correctness of all titles.
